Music Appreciation

Larry Ferrara

Syllabus

 

Class 1:

Introduction to the course, objectives

 

Class 2:

Rhythm, Meter, Tempo, Syncopation

Reading: K4 pp 06-11

Recorded Examples, supplemental tape 1

 

Class 3:

Pitch, Scale, Modality (major & minor), Melody, Dynamics

Reading: K4 p 9, pp 3-4,11-14, 19-22, 25-29, 30-38

Recorded Examples

 

Class 4:

Timbre, Musical Instruments

Reading: K4 pp, 30-38,

Recorded Examples on supplemental tape 2

 

 

Benjamin Britten A Young Persons Guide to the Orchestra

 

 

Serge Prokofiev Peter and the Wolf

 

Class 5:

Texture, Monophony, Polyphony and Homophony

Reading: K4.pp 22-24

Recorded Examples

 

Class 6:

Harmony, Consonance, Dissonance and Musical Form

Reading: K4.pp 20-22, 39-42

Recorded Examples

 

Class 7:

Practice Test 1 On Musical Elements

Class 8:

The Middle Ages

Reading: K4 pp 46-61

Listening: (CD 391), CD1, tape 1a, suppl.3

 

GREGORIAN CHANT

Hildegard of Bingen, Columba Aspexit, tape set

Gegorian Chant, Ave Maris Stella, suppl. 3

 

ORGANUM

Leonin, Organum on Alleluia Passcha Nostrum, suppl. 3

 

MOTET

Guillaume de Machaut, Quant en Moy , tape set

 

ESTAMPIE

Anonymous ,Sixth Estampie Royal , suppl. 3

 

TROUBADOUR SONG

Benart de Ventadorn, La Dousa Votz , tape set

Class 9:

The Renaissance

Reading: K4 pp 62-69

Listening: CD 391, CD1, tape 1a, suppl. 3

 

MASS

Josquin Desprez, Pange Lingua Mass, tape set

 

MADRIGAL

Thomas Weelkes, Madrigal As Vesta Was from Latmos Hill Descending, tape set

 

INSTRUMENTAL DANCE MUSIC

Anonymous, Pavane "Celeste giglio"  tape set

William Byrd, Monsiers Alman, suppl. 3

 

LUTE SOLO

Anonymous, "Kemps Jig"  tape set

John Dowland, Fantasia No. 7 , suppl. 3

Francesco DaMilano, Fantasia, suppl. 3

Class 10:

Practice Test 2 on the Middle Ages and the Renaissance

 

The Baroque

Reading: K4.pp 80-97, K4.pp 108-126

Listening: CD 391-CD2, tape 2A, suppl. 3

 

BAROQUE OPERA

Henry Purcell, Dido and Aeneas Act III,  tape set

 

CONCERTO GROSSO

Johann Sebastian Bach, Brandenburg Concerto No. 5, first movement,tape set

 

GROUND BASS

Johann Pachelbel, Canon in D

Johann Sebastian Bach, Passacaglia in C minor

 

DANCE SUITE

Johann Sebastian Bach, Orchestral Suite No. 3, tape set

Class 11

FUGUE

Reading: K4 pp 126-130

Listening: suppl. 3

 

Johann Sebastian Bach, Fugue No. 2 in C mino

from the Well Tempered Clavier Book 1, suppl. 3

George Frederic Handel, Concerto Grosso in Bb

Op. 6, No 7, first movement, suppl. 3

Class 12

Baroque Vocal Music

Reading: K4 pp 139-155

Listening: CD 391-2, tape 2A, suppl. 3

 

OPERA

George Frederic Handel, Rodelinda, Tirannia, Recitative and Aria, tape set

 

ORATORIO

George Frederic Handel,Messiah, Hallelujah Chorus, pp 153-155

Johann Sebastian Bach, Cantata No. 140, Wachet auf ruft uns die Stimme, suppl. 3

 

CANTATA

Johann Sebastian Bach, Sleepers Awake form cantata 140, suppl. 3

Class 13

Practice Test 3 on the Baroque Era

Class 14

The Classical Period, Cadence

Reading: K4 pp 157-167, p21, pp167-168, 169-210

Listening: suppl. 4, tape 2b and 3a, CD 2&3

 

VARIATION FORM

Reading: p21, pp167-168, 169-210

Wolfgang Amadeus Mozart, Variations on Piano, Ah, Vois Dirai-je Maman

Class 15

MINUET AND TRIO FORM

Reading: K4 pp 182-191

Wolfgang Amadeus Mozart,Symphony No. 40 in G minor, K     550, third movement

 

RONDO FORM

Reading: K4 pp 182-191

Joseph Haydn, Symphony No. 88 in G major, fourth movement, tape set

Ludwig Van Beethoven, Rondo from Sonata for Piano in G major, Op. 49, No. 2,

Class 16

Sonata Form

Reading: K4 pp 170-176

 

SONATA FORM

Wolfgang Amadeus Mozart, Symphony No. 40 in G minor, K 550, first movement, tape set

Wolfgang Amadeus Mozart, Symphony No. 40 in G minor, K 550, fourth movement

Wolfgang Amadeus Mozart, Piano Sonata in C major, K545 first movement suppl. 3

Class 17

The Conductor, The Orchestra, Classical Genres

Reading: K4 p 36, pp192-209

Class 18

Classical Opera

Reading: K 4, pp 204-209

Listening: CD 391, CD3, tape 3A

 

OPERA

Wolfgang Amadeus Mozart, Don Giovanni, K527

Aria, Recitative, Duet from Act 1, Scene 3, and Act 2, Finale. tape set

Class 19

Beethoven

Reading: K4, pp 213-236

Listening: CD 3, tape 3b

Ludwig Van Beethoven, Symphony No. 5 in C minor  tape set

Class 20

Practice Test 4, The Classical Era

Class 21

Romantic Era, Romantic Miniatures

Reading: K4, pp 227-240, 241-257

Listening: CD 391-CD 3-4, tape 3a-3b

 

LIED

Franz Schubert, Erlkönig, tape set

 

NOCTURNE

Frederic Chopin, Nocturne in F# major, Op. 15, No. 2. tape set

 

ETUDE

Franz Liszt, Transcendental Etude,  tape set

Class 22

Program Music

Reading: K4, pp 258-265

Listening: CD 391-CD4, tape 3B &4A

 

PROGRAM SYMPHONY

Hector Berlioz, Symphonie Fantastique, tape set

 

CONCERT OVERTURE

Piotr Tchaikovsky, Overture-Fantasy, Romeo and Juliet, tape set

Class 23

Romantic Opera

Reading: K4.pp 266-283

Listening: tape 4a CD 4

 

ROMANTIC OPERA

Giuseppe Verdi, Aida, Tomb Scene from Act IV Scene II, tape set

Giacomo Puccini, "Un bel di," Aria from Act II of Madama Butterfly, tape set

Class 24

Nationalism, Exoticism

Reading: K4 pp 284-305

Modest Mussorgsky, Pictures at an Exhibition

Class 25

Practice Test 5, The Romantic Era

Class 26

The Twentieth Century, Serialism

Reading: K4, pp 307-322, 323-348

Listening: CD 391, CD5-6 , tape  4B, 5A & 5B

 

IMPRESSIONISM

Claude Debussy, Clouds, from Three Nocturnes, tape set

 

CONTEMPORARY PROGRAM SYMPHONY

Igor Stravinsky, The Rite of Spring, Part 1, tape set

 

EXPRESSIONISM

Arnold Schonenberg, Pierre Lunaire, tape set

Class 27

Practice Test 6, The 20th Century